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	<title>diegogutierrezvalladares</title>
	<link>https://diegogutierrez-valladares.net</link>
	<description>diegogutierrezvalladares</description>
	<pubDate>Sat, 04 Dec 2021 13:36:04 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://diegogutierrez-valladares.net/Index</link>

		<pubDate>Sat, 04 Dec 2021 13:36:01 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

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		<title>CV+Bio</title>
				
		<link>https://diegogutierrez-valladares.net/CV-Bio</link>

		<pubDate>Thu, 12 Jul 2012 09:01:59 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

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		<description>CV &#38;amp; BIO

Diego Gutierrez Valladares. (San José, Dec. 1981) Trained as an artist and researcher, with graduate degrees and technical skills in printmaking, design, socially engaged art practices, and critical theory, his research and practice focus on co-designing artistic and pedagogical infrastructures. This includes developing learning environments that explore collaboration and ecologies of knowledge. He holds a PhD (Doctor of Arts) from the Eugeniusz Geppert Academy of Art and Design in Wrocław, with the thesis Making Milpa: Towards Collaboration, Care &#38;amp; Porosity. He taught for four years within the Digital and Experimental Printmaking Studio at the Eugeniusz Geppert Academy of Art and Design in Wrocław (2018–2022), and subsequently taught visual arts and designed the curriculum at Wrocław International School (IB PYP/MYP, 2023–2025). He has held artist-in-residence positions at Gudskul Ekosistem (Jakarta), Zamek Culture Centre (Centrum Kultury Zamek) in Poznań, and Cittadellarte-Fondazione Pistoletto (Biella, Italy). He was a Fellow of the Prince Claus Fund programme Cultural and Artistic Responses to the Environmental Crisis (CAREC 4, 2025–2026), and is currently the editorial and graphic designer of the fellowship’s collective publication. He has exhibited internationally at venues including the Wrocław Museum of Contemporary Art, Bunkier Sztuki in Kraków, and the National Taiwan Museum of Fine Arts, and has curated at the Zamek Culture Centre (Centrum Kultury Zamek) in Poznań and the Centre for Social Development in Wrocław. As a member of the collective “an office”, he co-created the project Dead Dove: Do Not Eat, presented at the ruruhaus within documenta fifteen (Kassel, 2022) and at the Center for Contemporary Arts Prague.


Education &#38;amp; Studies2018–2022, PhD in Art (defended 2021, conferred 2022). Thesis title: ‘Making milpa: towards collaboration, care and porosity’. Eugeniusz Geppert Academy of Art and Design in Wrocław, Poland. Supervised by Prof. Aleksandra Janik and Dr. Paweł Drabarczyk vel Grabarczyk.
2013-2014. Postgraduate program. Interdisciplinary Printmaking. Eugeniusz Geppert Academy of Art and Design in Wrocław, Poland.&#38;nbsp;
2011-2012. MA in Artistic production. Polytechnic University of Valencia (U.P.V). 
2004-2009. BA in Fine Arts in printmaking. University of Costa Rica (U.C.R).Further education&#38;nbsp;Alternative MA (altMA) in Food and Art, online format; first year completed. The Gramounce. 2025-26.Apartheid after South Africa. Seminars with prof. Achille Mbembe. European Graduate School. 2024, 2025.

The Earthly community. Seminars with prof. Achille Mbembe. European Graduate School. 2022.
Becoming “Lumbung”, course with ruangrupa. Salzburg International Summer Academy of Art. 2021.Saas Fee Summer Institute of Art: Care, Caring and Repair in Cognitive Capitalism. 2020. Life’s Futures. Seminars with prof. Achille Mbembe. European Graduate School. 2020.Expanding exhibitions: New approaches to curating. NODE Center. 2019.KlangKunstBühne, Universität der Künste Berlin. Der Prolog, course with Ursula Biemann. 2015.
KlangKunstBühne, Universität der Künste Berlin.&#38;nbsp;Rooms with Attitude course with Alvin Curran. 2015.
Photoetching in copper plate, directed by master printer Juan Lara of Ogami Press. 2011.
Residencies 2024. Unidee “Cracking concrete: creating and maintaining radical structures through place-based practice”. Cittadellarte-Fondazione Pistoletto. Biella, Italy.
2022. Gudskul Ekosistem. November 2022- February 2023. Jakarta, Indonesia.

2022. Zamek Culture Centre in Poznań Residency Program. May-Oct. Poznań, Poland.&#38;nbsp;
2021. Unidee Lab: Tools and technologies for embedded arts practice. Cittadellarte-Fondazione Pistoletto. Biella, Italy.2021. Spring Summer Residency 2021 Unidee Groundwork for embedded art practices. Cittadellarte-Fondazione Pistoletto. Biella, Italy.2014. Falu Konstgrafiska Verkstad. Falun, Sweden.2009. Guanlan International Print Base. Shenzhen,China.2007. Taller de Gráfica Experimental. Havana, Cuba.

Awards and Grants 2025 Prince Claus Fund Fellowship Award- Cultural and Artistic Responses to Environmental Crisis (CAREC 4).
2024 Mikrogrant. Wrocław Institute of Culture (WIK)

2022 Mobility grant. Wrocław Institute of Culture  (WIK).
2018 Scholarship PhD in Art. Eugeniusz Geppert Academy of Art and Design in Wroclaw.2014 Scholarship Postgraduate program Interdisciplinary Printmaking. Eugeniusz Geppert Academy of Art and Design in Wroclaw. 2010 Honorable Mention. 14th International Print Biennal Exhibition R.O.C. National Taiwan Museum of Fine Arts (NTMOFA). Taichung, Taiwan.&#38;nbsp;
Collections National Taiwan Museum of Fine Arts (N.T.M.O.F.A). Taichung, Taiwan. 
Guanlan International Print Base.Conferences, Symposiums and academic papers-From Echoes to Slogans- Artists responding to crises (organised by Prince Claus Fund). Framer Framed. Amsterdam, The Netherlands. 2025.

”Mapping towards relational practices”. Academy of Fine Arts in Gdansk. November. 2020. Online.“On the move”. Maps and territory. Philosophy and Cartography International conferences. E. Geppert Academy of Art and Design and University of Wroclaw. Nov. 2019. Wrocław, Poland.
Teaching experience
2023-2025 &#38;nbsp;IB Visual art and design teacher. Wroclaw International School. Wroclaw, Poland.



2018–2022 — Doctoral researcher with teaching responsibilities, Digital and Experimental Printmaking Studio (headed by dr hab. Aleksandra Janik), Eugeniusz Geppert Academy of Art and Design, Wrocław. Designed and delivered courses within the studio program; taught undergraduate and Erasmus exchange students; tutored and supported assessment of final diploma projects. &#38;nbsp;

Workshops facilitation2025 Asset mapping. CAREC Lab Week 1 and Coastal Community Conference. Flores, Indonesia.&#38;nbsp;
2022. Graphic party (collaboration with Grafis huru hara). Gudskul Ekosistem. Jakarta, Indonesia.&#38;nbsp;

2022 The language of water. Centrum Kultury Zamek in Poznań, Poland.

2020 ƧPAM. Casa 49. San José, Costa Rica.2020 Making milpa. Collective graphic workshop. Mutant letterpress, Wrocław, Poland.
Curatorial projects

2022 Making milpa: Living room. Centrum Kultury Zamek in Poznań, Poland.

2021 Making milpa: The Kitchen. E. Geppert Academy of Art and Design. Wrocław, Poland.2020 ƧPAM. Casa 49. San José, Costa Rica.2020 The language of Water, Centre for Social Development. Wrocław, Poland.&#38;nbsp;&#38;nbsp;Solo shows&#38;nbsp; 2019&#38;nbsp; KAMIKAZE. Eugeniusz Geppert Academy of Art and Design. Wrocław, Poland. 2009 The Uncontainable city. Galeria 1887. CENAC. San José, Costa Rica.&#38;nbsp;  Selected group shows

2023 Guanlan Print Biennial. China Print Museum. Shenzhen, China. &#38;nbsp;

2022 &#38;nbsp;Dead dove: Do not eat. Project as part of “an office”. Jeleni Gallery/Center for Contemporary art. Prague, Czech Republic.

2022. Dead dove: Do not eat. Project as part of “an office”. Documenta fifteen (ruruhaus). Kassel, Germany.

 2022 Beijing International Print Exchange Exhibition. China Printmaking Museum.
2020 Borders. Omsk State Contemporary Art Museum. Omsk, Russia. 2020 Satellite Images. TYPA Gallery. Tartu, Estonia.2019 Maps and Territory. Centre for Applied Arts and Innovation. Wroclaw, Poland.2019 Zeniths. Wroclaw Museum of Contemporary art. Wroclaw, Poland.2018&#38;nbsp; Immersed in images. MTG Krakow Print Triennial. Main exhibition. Bunkier Sztuki. Krakow, Poland. 2018&#38;nbsp; 9th Douro Biennial. Alijo, Portugal. 2015 Interdisciplinary printmaking exhibition Neon Gallery. Wroclaw Academy of Fine Arts.&#38;nbsp; 2013&#38;nbsp; Circulation curated by Paul McAree. FLOOD gallery. Dublin, Ireland. 2012&#38;nbsp; Selecta. Galeria Kir Royal. Valencia, Spain. 2012&#38;nbsp; MTG Print Triennal Krakow (Main Exhibition). Bunkier Sztuki Contemporary art gallery. Kraków, Poland.&#38;nbsp; 2011&#38;nbsp; "Millennial Wind: World Plate and Print Exhibition" . Millennial Anniversary of Tripitaka Koreana. World Exchange Hall. Hapcheon-gun, South Korea.&#38;nbsp; 2010. "14th International Print Biennal Exhibition R.O.C". National Taiwan Museum of Fine Arts. Taichung, Taiwan.&#38;nbsp; 2009&#38;nbsp; 2nd International Guanlan Print Biennial Exhibition. Guanlan Original Print Base. Shenzhen, China.&#38;nbsp; 2008&#38;nbsp; "Premio Ingráfica: Contemporary Printmaking". Iglesia La Merced. Cuenca, España. </description>
		
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		<title>MAKING MILPA</title>
				
		<link>https://diegogutierrez-valladares.net/MAKING-MILPA</link>

		<pubDate>Sat, 04 Dec 2021 13:36:02 +0000</pubDate>

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		<description>
	making milpa
2020- Ongoing


	Making milpa is a network of artists, makers, mediators, learners and many other different backgrounds exploring&#38;nbsp; ways of learning from collaboration and inhabiting spaces and institutions (otherwise).

Please visit
www.makingmilpa.net


	

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		<title>KAMIKAZE</title>
				
		<link>https://diegogutierrez-valladares.net/KAMIKAZE</link>

		<pubDate>Sat, 04 Dec 2021 13:36:02 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

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	Kamikaze

	2019 9-day performance, map/installation, conversation, listening.Eugeniusz Geppert Academy of Art and DesignWroclaw, Poland.



	I´ll enter the space without knowing exactly what I´ll be doing or showing during the time of the exhibition.Not knowing will be the continous starting point. I might do something or not. If I do nothing that will be something anyway. If I do something that could be nothing as well. I know there are expectations from the audience and the space might look empty, this will be fine even though it may seem disappointing...The space awaits to transform and empty itself in the continous attempt to frame, reframe, unframe its activity. If I do something this will be in correspondance to the place, the interaction with the audience and the time being.



	&#60;img width="4983" height="3456" width_o="4983" height_o="3456" data-src="https://freight.cargo.site/t/original/i/3e6a5418561b7e17c17dedb2daee12d2c5e79ba3a22ecbe4d281cf09c226a221/KAMIKAZE12.jpg" data-mid="126493066" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/3e6a5418561b7e17c17dedb2daee12d2c5e79ba3a22ecbe4d281cf09c226a221/KAMIKAZE12.jpg" /&#62;
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		<title>Ƨ P A M</title>
				
		<link>https://diegogutierrez-valladares.net/P-A-M</link>

		<pubDate>Sat, 04 Dec 2021 13:36:02 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

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	Ƨ P A M(in collaboration with Mauricio Herrero)

2019-2020
collective graphics, network, exhibition design, workshop/action.
Casa 49. San Jose, Costa Rica.
	Ƨ P A M is a network for collective graphics and thinking through maps and mapping. An an-archive of cartographies and collective graphics based on mail art method used for collecting, sharing and creating collective cartographies; images were printed to create a map displayed as collective installation and exhibition. As part of the exhibition in Casa 49, a workshop was organized to collectively intervene/modiify the actual installation and exhibition of collective cartographies coming from the mail art process and collaboration with over 200 artists. The participants of the workshop created a new collective graphic process involving tools such as drawing and manual printing (relief, chine colle), printing on the materials of the exhibition and creating a new series of prints.&#38;nbsp;

With the participation of: Ioannis Anastasiou, Sergio Caballero, Pawel Drabarczyk, Luis Duran, Jumana Hamdani, Sepa Sama, Ivan Juarez, Thomas O’Grady, Mariela Richmond, Flavia Sanchez Cabezas, Varvara Tokareva, Alessandro Valerio Zamora, Karen Clachar, Inova Walker among many others.


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	&#60;img width="2974" height="2935" width_o="2974" height_o="2935" data-src="https://freight.cargo.site/t/original/i/bdbc1cc899b304e2840a9281a6b9d7c511e5ce3ec74f1586286990f1c46d1b00/SPAM_CASA49_02-20_2-.jpg" data-mid="126488024" border="0"  src="https://freight.cargo.site/w/1000/i/bdbc1cc899b304e2840a9281a6b9d7c511e5ce3ec74f1586286990f1c46d1b00/SPAM_CASA49_02-20_2-.jpg" /&#62;&#60;img width="2919" height="2878" width_o="2919" height_o="2878" data-src="https://freight.cargo.site/t/original/i/f5017218be3ba566da5627a988ee1e7c6f5930287728e685f5b3abbfe050ce27/SPAM_CASA49_02-20_3-.jpg" data-mid="126488025" border="0"  src="https://freight.cargo.site/w/1000/i/f5017218be3ba566da5627a988ee1e7c6f5930287728e685f5b3abbfe050ce27/SPAM_CASA49_02-20_3-.jpg" /&#62;
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	&#60;img width="3087" height="3066" width_o="3087" height_o="3066" data-src="https://freight.cargo.site/t/original/i/2d9115f1b54188b884c2ddab0a2972abf74f18da24b2476f262a8faf25131db1/SPAM_CASA49_02-20_4.jpg" data-mid="126488026" border="0"  src="https://freight.cargo.site/w/1000/i/2d9115f1b54188b884c2ddab0a2972abf74f18da24b2476f262a8faf25131db1/SPAM_CASA49_02-20_4.jpg" /&#62;&#60;img width="3122" height="3105" width_o="3122" height_o="3105" data-src="https://freight.cargo.site/t/original/i/b346d40c3a5b726655bcace068adfc7a5ecc5ddad0f2747dfe7e170f867bc314/SPAM_CASA49_02-20_6.jpg" data-mid="126488184" border="0"  src="https://freight.cargo.site/w/1000/i/b346d40c3a5b726655bcace068adfc7a5ecc5ddad0f2747dfe7e170f867bc314/SPAM_CASA49_02-20_6.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>PALEONTOLOGY OF THE PRESENT</title>
				
		<link>https://diegogutierrez-valladares.net/PALEONTOLOGY-OF-THE-PRESENT</link>

		<pubDate>Sat, 04 Dec 2021 13:36:03 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

		<guid isPermaLink="true">https://diegogutierrez-valladares.net/PALEONTOLOGY-OF-THE-PRESENT</guid>

		<description>
	Paleontology of the present
 (Fossils and monsters)
(2018)&#38;nbsp;installationlaser prints on marbledimensions variableMTG Krakow Print Triennial, Inmersed in images. Bunkier Sztuki, Krakow, Poland.

	






From Chauvet and Altamira to electric screens and the internet, the history of comunication could perhaps be considered as the progressive enlightening of the stone.
 Its inversion creates a different time, an interval much more opaque and dilated. Congealed and heavy. Silent noise. Acting as a ragpicker that collects an impossible accumulation from the daily debris; building a fossilised beehive or an arqueological archieve that rests for a future after the cease of the internet.&#38;nbsp;


&#60;img width="4900" height="2865" width_o="4900" height_o="2865" data-src="https://freight.cargo.site/t/original/i/1322c1d9a4f3e0de695751b8c635f52d004a615729fcf3df7c82ca6a9af06236/Bunkier-Sztuki-II.jpg" data-mid="126488861" border="0"  src="https://freight.cargo.site/w/1000/i/1322c1d9a4f3e0de695751b8c635f52d004a615729fcf3df7c82ca6a9af06236/Bunkier-Sztuki-II.jpg" /&#62;&#60;img width="5184" height="3167" width_o="5184" height_o="3167" data-src="https://freight.cargo.site/t/original/i/be4ee5823582d397312a61495ced40cbfb4cf93b6f5b0f4decc621547a792ffe/Bunkier-Sztuki-III.jpg" data-mid="126488862" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/be4ee5823582d397312a61495ced40cbfb4cf93b6f5b0f4decc621547a792ffe/Bunkier-Sztuki-III.jpg" /&#62;&#60;img width="4522" height="3015" width_o="4522" height_o="3015" data-src="https://freight.cargo.site/t/original/i/deafc895e8e1050762784561919605c19565cb6386a6e43b61c4b79331032404/Bunkier-Sztuki-V.jpg" data-mid="126488864" border="0"  src="https://freight.cargo.site/w/1000/i/deafc895e8e1050762784561919605c19565cb6386a6e43b61c4b79331032404/Bunkier-Sztuki-V.jpg" /&#62;&#60;img width="4738" height="2830" width_o="4738" height_o="2830" data-src="https://freight.cargo.site/t/original/i/4fa3f9c31518cf89d549071ccb926c2a0e780c54d5e7bdf1fe3a6301696cff43/Bunkier-Sztuki-IV.jpg" data-mid="126488863" border="0"  src="https://freight.cargo.site/w/1000/i/4fa3f9c31518cf89d549071ccb926c2a0e780c54d5e7bdf1fe3a6301696cff43/Bunkier-Sztuki-IV.jpg" /&#62;

	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ef7d2199611e90f69082c525701a9eec9abec13bf5999da8fe349e3d1cda86cb/Marble1-2.jpg" data-mid="126489252" border="0"  src="https://freight.cargo.site/w/1000/i/ef7d2199611e90f69082c525701a9eec9abec13bf5999da8fe349e3d1cda86cb/Marble1-2.jpg" /&#62;&#60;img width="4320" height="3456" width_o="4320" height_o="3456" data-src="https://freight.cargo.site/t/original/i/fc45ec17c7402a3961f181c1ace3372d129d955a34ae72650ff93fd4074e0932/Marble1-5.jpg" data-mid="126489320" border="0"  src="https://freight.cargo.site/w/1000/i/fc45ec17c7402a3961f181c1ace3372d129d955a34ae72650ff93fd4074e0932/Marble1-5.jpg" /&#62;
	&#60;img width="4320" height="3456" width_o="4320" height_o="3456" data-src="https://freight.cargo.site/t/original/i/11f7bc46866f881851e3d42230921840ade7683748f2e11bde681f499fd6a9f8/Marble1-8.jpg" data-mid="126489295" border="0"  src="https://freight.cargo.site/w/1000/i/11f7bc46866f881851e3d42230921840ade7683748f2e11bde681f499fd6a9f8/Marble1-8.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>ARCHIPELAGO</title>
				
		<link>https://diegogutierrez-valladares.net/ARCHIPELAGO</link>

		<pubDate>Sat, 04 Dec 2021 13:36:03 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

		<guid isPermaLink="true">https://diegogutierrez-valladares.net/ARCHIPELAGO</guid>

		<description>
	Archipelago
2019
Drawing and chlorophyll on paper

Map and Territory Exhibition Centre for Applied Arts and Innovation. Wroclaw, Poland.

	


&#60;img width="4094" height="2800" width_o="4094" height_o="2800" data-src="https://freight.cargo.site/t/original/i/c270a7ce466c76cb32018c00b548f92eea15ebe1516fe02b18ce7ee247a9bafb/ARCHIPIELAGO-II.jpg" data-mid="126489778" border="0"  src="https://freight.cargo.site/w/1000/i/c270a7ce466c76cb32018c00b548f92eea15ebe1516fe02b18ce7ee247a9bafb/ARCHIPIELAGO-II.jpg" /&#62;&#60;img width="3090" height="2100" width_o="3090" height_o="2100" data-src="https://freight.cargo.site/t/original/i/c70fb4fb7608e7f0de75dd7d88bf9bd2f3e2f00e02efd96985fad27bed22d530/ARCHIPIELAGO-I.jpg" data-mid="126489777" border="0"  src="https://freight.cargo.site/w/1000/i/c70fb4fb7608e7f0de75dd7d88bf9bd2f3e2f00e02efd96985fad27bed22d530/ARCHIPIELAGO-I.jpg" /&#62;

	&#60;img width="2316" height="3161" width_o="2316" height_o="3161" data-src="https://freight.cargo.site/t/original/i/32caf16336409a3fd973287f3cd71480b61a224b528ca7e7e522214b8f34a6d5/archipielago002.jpg" data-mid="126489908" border="0"  src="https://freight.cargo.site/w/1000/i/32caf16336409a3fd973287f3cd71480b61a224b528ca7e7e522214b8f34a6d5/archipielago002.jpg" /&#62;&#60;img width="2328" height="3149" width_o="2328" height_o="3149" data-src="https://freight.cargo.site/t/original/i/0890b8b7e9fbac284f3d3b41e570481160556fb8d9176df8ef01a5770c0db0bd/archipielago011.jpg" data-mid="126490022" border="0"  src="https://freight.cargo.site/w/1000/i/0890b8b7e9fbac284f3d3b41e570481160556fb8d9176df8ef01a5770c0db0bd/archipielago011.jpg" /&#62;&#60;img width="2292" height="3173" width_o="2292" height_o="3173" data-src="https://freight.cargo.site/t/original/i/9e2c8d028463ce67b0db741b2ce785375a953806b22b82e0d802cb37c8aecaad/archipielago007.jpg" data-mid="126489955" border="0"  src="https://freight.cargo.site/w/1000/i/9e2c8d028463ce67b0db741b2ce785375a953806b22b82e0d802cb37c8aecaad/archipielago007.jpg" /&#62;&#60;img width="2355" height="3152" width_o="2355" height_o="3152" data-src="https://freight.cargo.site/t/original/i/1944e462e18407eedae0736abc04a4d7f283aae8d729b9285db07909ebd4bcc2/archipielago004.jpg" data-mid="126490282" border="0"  src="https://freight.cargo.site/w/1000/i/1944e462e18407eedae0736abc04a4d7f283aae8d729b9285db07909ebd4bcc2/archipielago004.jpg" /&#62;
	&#60;img width="2337" height="3170" width_o="2337" height_o="3170" data-src="https://freight.cargo.site/t/original/i/30049f8a9dc3610e9602dcd0323776ae561751fdd07f87c15f45f1204fac5095/archipielago010.jpg" data-mid="126490021" border="0"  src="https://freight.cargo.site/w/1000/i/30049f8a9dc3610e9602dcd0323776ae561751fdd07f87c15f45f1204fac5095/archipielago010.jpg" /&#62;&#60;img width="2276" height="3176" width_o="2276" height_o="3176" data-src="https://freight.cargo.site/t/original/i/d1417b7df75f94675635fbac321351ac5c715c2551e4ec82414ea9af86948fe4/archipielago005.jpg" data-mid="126489923" border="0"  src="https://freight.cargo.site/w/1000/i/d1417b7df75f94675635fbac321351ac5c715c2551e4ec82414ea9af86948fe4/archipielago005.jpg" /&#62;&#60;img width="2319" height="3152" width_o="2319" height_o="3152" data-src="https://freight.cargo.site/t/original/i/e25b702a88abf537e87ea12ae610ef770c4ddb43780c68f7237be53214492329/archipielago014.jpg" data-mid="126490074" border="0"  src="https://freight.cargo.site/w/1000/i/e25b702a88abf537e87ea12ae610ef770c4ddb43780c68f7237be53214492329/archipielago014.jpg" /&#62;&#60;img width="2304" height="3161" width_o="2304" height_o="3161" data-src="https://freight.cargo.site/t/original/i/c1e00fab67035242e5e34d10ceb659d14acb7d093a0fc6aac7157520c75c3dee/archipielago013.jpg" data-mid="126490315" border="0"  src="https://freight.cargo.site/w/1000/i/c1e00fab67035242e5e34d10ceb659d14acb7d093a0fc6aac7157520c75c3dee/archipielago013.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>TRANS-ACTIONS</title>
				
		<link>https://diegogutierrez-valladares.net/TRANS-ACTIONS</link>

		<pubDate>Sat, 04 Dec 2021 13:36:03 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

		<guid isPermaLink="true">https://diegogutierrez-valladares.net/TRANS-ACTIONS</guid>

		<description>
	Trans-actions
2012banknotes, silkscreen, videoInstallation, performance/action

	Authentic banknotes of €5 bank notes are silkscreened on one side with an photosensitive ink. The result is the progressive and complete darkening upon one side of the banknote when exposed to direct sunlight in an accumulative period of time (25min). The project questions value and legitimation within cultural and economic systems, either by directly paying with these altered banknotes and inserting them into circulation or by creating an action directly involving the Jury of the Krakow Print Triennial. Asking the Jury, in their capacity of custom control, to enter a game of value and legitimation by opening a box containing these banknotes and provoking its darkening in the moment of selection of works for the main exhibition.&#38;nbsp;



	&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/247aefb4ed010c8c7710e476978f9fc8038de47b471f3206e3f8775de3bf368f/transaction-2.jpg" data-mid="126491475" border="0"  src="https://freight.cargo.site/w/667/i/247aefb4ed010c8c7710e476978f9fc8038de47b471f3206e3f8775de3bf368f/transaction-2.jpg" /&#62;
	&#60;img width="800" height="1000" width_o="800" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0aad70c39ccfea65f8c983ce14528161a409ac265766eccd293d8712aee00cb3/TRANS-ACTIONS-7.jpg" data-mid="126491087" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/0aad70c39ccfea65f8c983ce14528161a409ac265766eccd293d8712aee00cb3/TRANS-ACTIONS-7.jpg" /&#62;
&#60;img width="3456" height="2304" width_o="3456" height_o="2304" data-src="https://freight.cargo.site/t/original/i/ea6f0a48541cbd8656df5bcc4019721f04dbb04e2a72d7b802a76a8d9008199d/IMG_6747.JPG" data-mid="126490834" border="0"  src="https://freight.cargo.site/w/1000/i/ea6f0a48541cbd8656df5bcc4019721f04dbb04e2a72d7b802a76a8d9008199d/IMG_6747.JPG" /&#62;&#60;img width="3888" height="2592" width_o="3888" height_o="2592" data-src="https://freight.cargo.site/t/original/i/9f1b7853c8a24b4aec73265c26e00472f29974efbd31b3ce392f6ec0c1a6706c/EHIBITION-VIEW.jpg" data-mid="126490984" border="0"  src="https://freight.cargo.site/w/1000/i/9f1b7853c8a24b4aec73265c26e00472f29974efbd31b3ce392f6ec0c1a6706c/EHIBITION-VIEW.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/6b8c3d124fe8b2bc10918310f0be689a3f4f3f69854d713b645014bbbb9c8be4/KIR-ROYALE.jpg" data-mid="126491649" border="0"  src="https://freight.cargo.site/w/1000/i/6b8c3d124fe8b2bc10918310f0be689a3f4f3f69854d713b645014bbbb9c8be4/KIR-ROYALE.jpg" /&#62;
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	&#60;img width="928" height="1544" width_o="928" height_o="1544" data-src="https://freight.cargo.site/t/original/i/2d052d7c8151fea6df3cbd123842ee71c1b3501298a5a7dba6245d96467de89f/McDONALDS-II-copia.jpg" data-mid="126491820" border="0"  src="https://freight.cargo.site/w/928/i/2d052d7c8151fea6df3cbd123842ee71c1b3501298a5a7dba6245d96467de89f/McDONALDS-II-copia.jpg" /&#62;&#60;img width="2117" height="3560" width_o="2117" height_o="3560" data-src="https://freight.cargo.site/t/original/i/e0beab9120a8cef6d80a13005575f1723f44f383ed927b202ac9dcb0a6fe79cc/RECIBO-Starbucks-2104122131-copia.jpg" data-mid="126492073" border="0"  src="https://freight.cargo.site/w/1000/i/e0beab9120a8cef6d80a13005575f1723f44f383ed927b202ac9dcb0a6fe79cc/RECIBO-Starbucks-2104122131-copia.jpg" /&#62;&#60;img width="1918" height="2674" width_o="1918" height_o="2674" data-src="https://freight.cargo.site/t/original/i/74931f9fa7b93363cfa5dd43d12becc3d25e87c2fbfce668e82e83725d4d916c/RECIBO-QUICK-MEALS-IBERICA-2104121652-copia.jpg" data-mid="126492072" border="0"  src="https://freight.cargo.site/w/1000/i/74931f9fa7b93363cfa5dd43d12becc3d25e87c2fbfce668e82e83725d4d916c/RECIBO-QUICK-MEALS-IBERICA-2104121652-copia.jpg" /&#62;
</description>
		
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	<item>
		<title>UNTITLED (MARKET SCORE)</title>
				
		<link>https://diegogutierrez-valladares.net/UNTITLED-MARKET-SCORE</link>

		<pubDate>Sat, 04 Dec 2021 13:36:04 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

		<guid isPermaLink="true">https://diegogutierrez-valladares.net/UNTITLED-MARKET-SCORE</guid>

		<description>
	Market score
2015 Real time market charts, musicians, objects. 

	
A sound performance where musicians interpret real time data from currency exchange market as a musical partiture. Fluxes of data and numeric increases/decreases into vocals, hands exchanging inside the global market to performing objects and idle sounds. A garble that renders inoperative organized within a set of rules.

&#60;img width="568" height="320" width_o="568" height_o="320" data-src="https://freight.cargo.site/t/original/i/ce373c6c8af523f645f8850289d397e6c24c0f8a1511da4dae65765c91f6bcc0/performace-1.jpg" data-mid="126495191" border="0"  src="https://freight.cargo.site/w/568/i/ce373c6c8af523f645f8850289d397e6c24c0f8a1511da4dae65765c91f6bcc0/performace-1.jpg" /&#62;&#60;img width="568" height="320" width_o="568" height_o="320" data-src="https://freight.cargo.site/t/original/i/174da0be14c48bb264b6120de15401c32730626c25190da16871124ef81f265c/MARKETSOUNDS.jpg" data-mid="126495190" border="0"  src="https://freight.cargo.site/w/568/i/174da0be14c48bb264b6120de15401c32730626c25190da16871124ef81f265c/MARKETSOUNDS.jpg" /&#62;


	&#60;img width="504" height="284" width_o="504" height_o="284" data-src="https://freight.cargo.site/t/original/i/aeb7e00f3e73942e4f326d0a52eb93ff14de6aeb99979c01decc9b19c35efed9/performance-2.jpg" data-mid="126495192" border="0" data-scale="100" src="https://freight.cargo.site/w/504/i/aeb7e00f3e73942e4f326d0a52eb93ff14de6aeb99979c01decc9b19c35efed9/performance-2.jpg" /&#62;
	&#60;img width="587" height="341" width_o="587" height_o="341" data-src="https://freight.cargo.site/t/original/i/1b555a12763bc8f167af2db0ef6c8577f38e6d9cd8b1c6593ae532111cb6a3d3/Secuencia-01.Imagen-fija002.jpg" data-mid="126495193" border="0"  src="https://freight.cargo.site/w/587/i/1b555a12763bc8f167af2db0ef6c8577f38e6d9cd8b1c6593ae532111cb6a3d3/Secuencia-01.Imagen-fija002.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>One Working Day </title>
				
		<link>https://diegogutierrez-valladares.net/One-Working-Day</link>

		<pubDate>Sat, 08 Mar 2014 20:45:31 +0000</pubDate>

		<dc:creator>diegogutierrezvalladares</dc:creator>

		<guid isPermaLink="true">https://diegogutierrez-valladares.net/One-Working-Day</guid>

		<description>


	One working day

2014
artist books
artion/performance
	
One working day is a series of actions performed in different countries over a period of time. This series of actions/performances consist on opening a job position, hiring an unemployed person for writing repeatedly the same sentence during one working day (8 hours). Each person is paid according to the minimum wage per hour in corresponding each State's legislation. 

 



 


&#60;img width="1152" height="768" width_o="1152" height_o="768" data-src="https://freight.cargo.site/t/original/i/972e4fac1f3adc80d1af82aedb05c10ac683255702d2a3a3faadacc992ab5222/IMG_0894_o.jpg" data-mid="126472821" border="0"  src="https://freight.cargo.site/w/1000/i/972e4fac1f3adc80d1af82aedb05c10ac683255702d2a3a3faadacc992ab5222/IMG_0894_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/93f09d2cf7a7fed9e03e19a5812bf2f2546f5b348b8597489b9bb0afbce677b9/ATAUD-I_o.jpg" data-mid="126472812" border="0"  src="https://freight.cargo.site/w/1000/i/93f09d2cf7a7fed9e03e19a5812bf2f2546f5b348b8597489b9bb0afbce677b9/ATAUD-I_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/0a9cc524cf0799bce96a6e7c06bb867955f625aa8a7e81c21def4d6e04f9a62a/LIBRO-ESPANA_o.jpg" data-mid="126472818" border="0"  src="https://freight.cargo.site/w/1000/i/0a9cc524cf0799bce96a6e7c06bb867955f625aa8a7e81c21def4d6e04f9a62a/LIBRO-ESPANA_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/ccfcbcde3cf28f7c8c5802fbfd7a1b495c60e8326b156c296ffd7da330da3bdd/LIBRO-BARCELONA-ESPANA_o.jpg" data-mid="126472819" border="0"  src="https://freight.cargo.site/w/1000/i/ccfcbcde3cf28f7c8c5802fbfd7a1b495c60e8326b156c296ffd7da330da3bdd/LIBRO-BARCELONA-ESPANA_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/5a9ff786530010b6df1fa2e11c8f00aac843d5dac37b86e592d9d64abfef5de3/LIBRO-ABIERTO-ESPANA_o.jpg" data-mid="126472815" border="0"  src="https://freight.cargo.site/w/1000/i/5a9ff786530010b6df1fa2e11c8f00aac843d5dac37b86e592d9d64abfef5de3/LIBRO-ABIERTO-ESPANA_o.jpg" /&#62;

Barcelona, España. Sagrada Familia Public Library. 03.02.2014. Your wish is my command.




&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d62f8e44b76ec9810256c44ba724829a75920901eca46126e24aae3da4fc8a92/SAN-JOSE-II_o.jpg" data-mid="126472826" border="0"  src="https://freight.cargo.site/w/1000/i/d62f8e44b76ec9810256c44ba724829a75920901eca46126e24aae3da4fc8a92/SAN-JOSE-II_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/a413896e94c1e96afc49690cd4bcc609bedf1edf77bdf4e07c4bee86c4f61be9/ATAUD-II-_o.jpg" data-mid="126472813" border="0"  src="https://freight.cargo.site/w/1000/i/a413896e94c1e96afc49690cd4bcc609bedf1edf77bdf4e07c4bee86c4f61be9/ATAUD-II-_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/ca827fc0fa07c3a3c6cf5e61d1ef4adb1c9d858cfa430ee53e06119e57b2dbcb/LIBRO-COSTA-RICA-II_o.jpg" data-mid="126472817" border="0"  src="https://freight.cargo.site/w/1000/i/ca827fc0fa07c3a3c6cf5e61d1ef4adb1c9d858cfa430ee53e06119e57b2dbcb/LIBRO-COSTA-RICA-II_o.jpg" /&#62;
&#60;img width="2464" height="1640" width_o="2464" height_o="1640" data-src="https://freight.cargo.site/t/original/i/2f8e8019230c1f73bf79cf472dbb745d722cdc189e206720e00a2367c9045eba/LIBRO-ABIERTO-COSTA-RICA_o.jpg" data-mid="126472814" border="0"  src="https://freight.cargo.site/w/1000/i/2f8e8019230c1f73bf79cf472dbb745d722cdc189e206720e00a2367c9045eba/LIBRO-ABIERTO-COSTA-RICA_o.jpg" /&#62;

 San José, Costa Rica. Private office. 27.12.2013.&#38;nbsp;I sell frustration, not relief.



&#60;img width="2437" height="1626" width_o="2437" height_o="1626" data-src="https://freight.cargo.site/t/original/i/71de4b56e09163501d7cadb0ca7235837f3edf0fbc09d7e19554f6aee9c17665/1_o.jpg" data-mid="126472822" border="0"  src="https://freight.cargo.site/w/1000/i/71de4b56e09163501d7cadb0ca7235837f3edf0fbc09d7e19554f6aee9c17665/1_o.jpg" /&#62;
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/e2a5b91b4641b0139b97a50b2384bc125ac677f416a7bb925fdc2a02a4f2916d/Anuncio-copia_o.jpg" data-mid="126472828" border="0"  src="https://freight.cargo.site/w/1000/i/e2a5b91b4641b0139b97a50b2384bc125ac677f416a7bb925fdc2a02a4f2916d/Anuncio-copia_o.jpg" /&#62;
&#60;img width="1971" height="1312" width_o="1971" height_o="1312" data-src="https://freight.cargo.site/t/original/i/d016bbe29e182845ed874f217ea77f1212a89975951f4ad94ec0e2bfa2a7d498/caja_o.jpg" data-mid="126472823" border="0"  src="https://freight.cargo.site/w/1000/i/d016bbe29e182845ed874f217ea77f1212a89975951f4ad94ec0e2bfa2a7d498/caja_o.jpg" /&#62;
&#60;img width="1971" height="1312" width_o="1971" height_o="1312" data-src="https://freight.cargo.site/t/original/i/21fe94f3a9436cd413bb4bed8c25d6808c2863d0d4e8c5267965bad4c3883da1/caja2_o.jpg" data-mid="126472824" border="0"  src="https://freight.cargo.site/w/1000/i/21fe94f3a9436cd413bb4bed8c25d6808c2863d0d4e8c5267965bad4c3883da1/caja2_o.jpg" /&#62;
&#60;img width="1971" height="1312" width_o="1971" height_o="1312" data-src="https://freight.cargo.site/t/original/i/872cb3eaab5d450a397adb8991046df8a91131fb3472fe76bf7ba474d941a440/caja3_o.jpg" data-mid="126472825" border="0"  src="https://freight.cargo.site/w/1000/i/872cb3eaab5d450a397adb8991046df8a91131fb3472fe76bf7ba474d941a440/caja3_o.jpg" /&#62;
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/67b1a70e5ba9e14d8e18e0dcbe1a896772152766e8c5b6ae2f2f8aefe89451af/libro-_o.jpg" data-mid="126472827" border="0"  src="https://freight.cargo.site/w/1000/i/67b1a70e5ba9e14d8e18e0dcbe1a896772152766e8c5b6ae2f2f8aefe89451af/libro-_o.jpg" /&#62;

Wrocław, Poland. Academic office. 02.04.2014. Time is money.


&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/f6dc25c466e56b4b445593746da49db674184f0c3ee4ce8b07b96ef3093f2f54/EXHIBITION-VIEW_o.jpg" data-mid="126472829" border="0"  src="https://freight.cargo.site/w/1000/i/f6dc25c466e56b4b445593746da49db674184f0c3ee4ce8b07b96ef3093f2f54/EXHIBITION-VIEW_o.jpg" /&#62;Exhibition view. Neon gallery. Wroclaw, Poland.</description>
		
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